Historically Informed Performance (HIP)

Notas sobre la transposicion en voces e instrumentos en la segunda mitad del siglo XVII: el repertorio de la Seo y el Pilar de Zaragoza

Early Music / Musicology / Performance Practice / Historically Informed Performance (HIP) / Historical Musicology / Spanish Baroque Theater and Music

(RE)INTERPRETANDO A BOCCHERINI. REFLEXIONES EN TORNO AL REPERTORIO PARA VIOLONCHELO SOLISTA

Organology / Enlightenment / Historically Informed Performance (HIP) / Violoncello / Boccherini, Luigi / Organología / Estética Musical / Organología / Estética Musical

Recuperación de patrimonio musical histórico: El largo camino desde el archivo al concierto

Historically Informed Performance (HIP) / Musical sources / Interpretación Musical / EJECUCION MUSICAL / Patrimonio musical histórico / Práctica musical histórica / Fuentes musicales / Práctica musical histórica / Fuentes musicales

Dos novedades discográficas en torno a la Música Virreinal: Ministriles Novohispanos y Francisco López Capillas

Music / Musicology / Music and Language / Historically Informed Performance (HIP) / Barroco novohispano / Música / Barroco / Puebla / UNAM / Barroco americano / Música Antigua / Musicología histórica / Alte Musik / Polifonía / Teatro Siglo de Oro Español / Ministriles / Composicion Musical / Musica Antica / Puebla De Los áNgeles / Escuela Nacional de Música / Francisco López Capillas / Música / Barroco / Puebla / UNAM / Barroco americano / Música Antigua / Musicología histórica / Alte Musik / Polifonía / Teatro Siglo de Oro Español / Ministriles / Composicion Musical / Musica Antica / Puebla De Los áNgeles / Escuela Nacional de Música / Francisco López Capillas

Performatividades folklorizadas: visiones europeas de las músicas coloniales - Revista de Musicología, vol. 39, núm. 1 (Madrid, 2016), pp. 291-310.

Early Music / Performance Studies / Performance Studies (Music) / Recording / Latin American Music / Performance Practice / Historically Informed Performance (HIP) / Hispanic Studies / Performance Analysis / Historical Musicology / Discography / Latin American Colonial Music / Mexican Music / Villancicos / Early music and historically informed performance practice / Percussion Performance / Performance Practice / Historically Informed Performance (HIP) / Hispanic Studies / Performance Analysis / Historical Musicology / Discography / Latin American Colonial Music / Mexican Music / Villancicos / Early music and historically informed performance practice / Percussion Performance

Programa XI Festival de Música Antigua Úbeda y Baeza (2007) [A la sombra del poder: música y mecenazgo en Andalucía (ss. XVI-XVIII)]

Early Music / Music History / Festivals and music / Early Modern History / Baroque Music / Medieval Music / Renaissance music / Patronage (History) / Spanish Music / Historically Informed Performance (HIP) / Early music and historically informed performance practice / Music Management / Medieval Music / Renaissance music / Patronage (History) / Spanish Music / Historically Informed Performance (HIP) / Early music and historically informed performance practice / Music Management

Programa XII Festival de Música Antigua Úbeda y Baeza (2008) [Sones de batalla: música y guerra en el mundo hispano (ss. XVI-XIX)]

Early Music / Music History / Festivals and music / Soundscape Studies / Baroque Music / Medieval Music / Renaissance music / Spanish Music / Historically Informed Performance (HIP) / Hispanic Studies / Batalla de las Navas de Tolosa / Early music and historically informed performance practice / Music Management / Medieval Music / Renaissance music / Spanish Music / Historically Informed Performance (HIP) / Hispanic Studies / Batalla de las Navas de Tolosa / Early music and historically informed performance practice / Music Management

Programa XIII Festival de Música Antigua Úbeda y Baeza (2009) [Exclusiones y resistencias: las otras músicas hispánicas (ss. XVI-XVIII)]

Early Music / Music History / Festivals and music / Minority Studies / Social Exclusion / Baroque Music / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Historically Informed Performance (HIP) / Hispanic Studies / Early music and historically informed performance practice / Music Management / Baroque Music / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Historically Informed Performance (HIP) / Hispanic Studies / Early music and historically informed performance practice / Music Management

Programa XIV Festival de Música Antigua Úbeda y Baeza (2010) [Portugal no centro do mundo: siete siglos de globalización musical (ss. XIII-XIX)]

Early Music / Music History / Festivals and music / Globalization / Portuguese Studies / Portuguese History / Iberian Studies / The Lusophone World / Baroque Music / Medieval Music / Renaissance music / Spanish Music / Cultural Exchange / Historically Informed Performance (HIP) / Hispanic Studies / Cultural Globalization / Early music and historically informed performance practice / Portuguese History / Iberian Studies / The Lusophone World / Baroque Music / Medieval Music / Renaissance music / Spanish Music / Cultural Exchange / Historically Informed Performance (HIP) / Hispanic Studies / Cultural Globalization / Early music and historically informed performance practice

Programa XV Festival de Música Antigua Úbeda y Baeza (2011) [Tradición y modernidad en la música antigua]

Early Music / Music History / Festivals and music / Spanish Studies / Baroque Music / Medieval Music / Renaissance music / Historically Informed Performance (HIP) / Hispanic Studies / Early music and historically informed performance practice / Modernity/coloniality/decoloniality / Music Management / Medieval Music / Renaissance music / Historically Informed Performance (HIP) / Hispanic Studies / Early music and historically informed performance practice / Modernity/coloniality/decoloniality / Music Management

Programa XIX Festival de Música Antigua Úbeda y Baeza (2015) [Músicas cultas, músicas populares]

Early Music / Music History / Festivals and music / Popular Music / Baroque Music / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Hispanic Studies / Early music and historically informed performance practice / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Hispanic Studies / Early music and historically informed performance practice

Las edades de la música / 20º Festival de Música Antigua de Úbeda y Baeza

Latin American Studies / Early Music / Music History / Performing Arts / Festivals and music / Performance Studies / Baroque Music / Medieval Music / Latin American Music / Renaissance music / Spanish Music / History of music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Cultural History of Music / Latin American Colonial Music / Music festivals / Galant Music / Villancicos / Early music and historically informed performance practice / Music and Performing Arts / Music Management / Performance Studies / Baroque Music / Medieval Music / Latin American Music / Renaissance music / Spanish Music / History of music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Cultural History of Music / Latin American Colonial Music / Music festivals / Galant Music / Villancicos / Early music and historically informed performance practice / Music and Performing Arts / Music Management

Restrospectiva FMAUB: veinte años de música antigua en Úbeda y Baeza (1997-2016)

Early Music / Musicology / Festivals and music / Medieval Music / Renaissance music / World Cultural Heritage / Spanish Music / History of music / Historically Informed Performance (HIP) / Classical Music / Cultural History of Music / Musical Heritage / Baeza / Strategic Management Music Industry / Early music and historically informed performance practice / Úbeda (Jaén) / Barroque Music / World Cultural Heritage / Spanish Music / History of music / Historically Informed Performance (HIP) / Classical Music / Cultural History of Music / Musical Heritage / Baeza / Strategic Management Music Industry / Early music and historically informed performance practice / Úbeda (Jaén) / Barroque Music
Copyright © 2017 DATOSPDF Inc.